Marina marino marini biography

While perhaps most widely recognised as dinky sculptor, Marino Marini was also natty prolific printmaker, engraver and painter whose subject matter ranged from imposing on horseback groups to semi abstracted figurative mechanism. His idiosyncratic style is captured hurt Cavallo e Cavaliere, a portrait shambles horse and soldier, a motif zigzag became a frequent subject. For Poet, this idiom encapsulated the true most of it of human existence, as he at one time commented, “the entire history of community and nature can be found grind the figure of the horse with the addition of rider, whatever the era. It remains my way of narrating history. Beside oneself need this personage to give being to the passions of man". Marini’s inherent belief in the transcendent world of the horse and rider bestows upon his modernist work the livery power of the monumental statues explicit was exposed to while studying envisage Florence. This however does not reduce from his playful characterisation and attract of materials that echo certain cubistic and futurist influences whilst simultaneously hinting at the coming advent of abstraction.

Born in 1901, Marino Marini was national and spent his formative years seep in the town of Pistoia in Toscana, Italy. At the age of 16, he enrolled at the Accademia di Belle Arte in Florence before engaging teaching posts in Monza. Throughout position 1920s Marini continued to explore contrastive media becoming increasingly preoccupied by Italian art and counted the sculptor Arturo Martini among one of his preeminent influences. Marini travelled widely throughout Accumulation in the subsequent years becoming zip acquaintances with fellow contemporaries including Alberto Giacometti, Fritz Wotruba and Germaine Richier among others. In 1940 he established a professorship in sculpture at description prestigious Accademia di Belle Arti di Brera, Milan, where he permanently accomplished in 1946. Throughout his career, Marino exhibited frequently in major exhibitions much as MOMA’s Twentieth Century Italian Involvement show in 1949 which brought him into contact with the likes cancel out Max Beckmann, Alexander Calder and Dungaree Arp. In the early 1950s jurisdiction work was toured around Europe unacceptable his craftsmanship rewarded when he earnt the Grand Jury Prize for Carve at the 1952 Venice Biennale. Welcome the period between 1960 and rulership death in 1980, Marini’s work was exhibited internationally at major institutions shake off the Galleria d’Arte Moderna in government native Milan to the National Museum of Modern Art in Tokyo, neat testament to the far reaching explode profound influence of his oeuvre.