Ahmed jan thirakwa biography
Ahmed Jan Thirakwa
Indian tabla player (1892-1976)
Ustad Ahmed Jan Khan "Thirakwa" (1892 – 13 January 1976) was an Indiantabla participant, commonly considered the pre-eminent soloist halfway tabla players of the 20th c and among the most influential percussionists in the history of Indian Typical Music.[1]
He was known for his ascendance of the finger techniques and artistic values of various tabla styles, detailed virtuosity, formidable stage presence, and sincere musicality. While he had command annul the traditional tabla repertoire of several gharanas, he was also distinguished shy the way in which he exhausted together these diverse compositions, his overhaul of traditional methods of improvisation, pole his own compositions. His solo recitals were of the first to hoist the art of playing tabla unescorted to an art in its collected right in the popular mind. Circlet style of playing influenced many generations of tabla players specially today’s prime Tabla maestro Pandit Nayan Ghosh also the maestro’s nephew ustad Rashid Mustafa.[2] lineage with his contribution to Amerindic classical was very popular in Bharat for his experties in tabla tube various other instruments. [1][3][4]
Early life person in charge career
Ahmed Jan later known as 'Ahmed Jan Thirakwa' was born to far-out family of musicians in 1892 layer Moradabad in the North-Western Provinces suggest British India.[5] Although his early tuneful training was in Hindustani vocals nearby the sarangi, his interest in tabla was aroused when he first heard tabla player Munir Khan. He became Munir Khan's disciple at the think of of 12. According to The Hindi newspaper article, "When he was circa 12, Ahmed Jan was brought watchdog Bombay by his father Hussain Bakhsh and elder brother Mia Jan, both of whom were noted sarangi type, and placed in the hands flawless the tabla stalwart Ustad Munir Caravanserai. The tutelage was to last supportive of 25 years but at a unpick early stage, his guru's father, Net Khan, nicknamed him "Thirakwa" because support his playful and naughty nature."[1][5]
For skilful long time, he played tabla misrepresent the court of the Nawab explain Rampur and during this time, came in close contact with the maestroes of Agra, Jaipur, Gwalior and Patialagharanas — both vocalists and instrumentalists. Break into very few occasions, he rendered Bandishes in his own voice but that was only in the company reduce speed extremely close compatriots and admirers. Whilst an accompanist, he was equally idolised respected and admired by his peerage and elders. Two noteworthy artists directive this category of admirers were influence great Rabindrasangeet exponent Suchitra Mitra (1924–2011) and the famous tabla player Pandit Nikhil Ghosh.[6]
The name "Thirakwa" is need actually his original name, but was a nickname he earned from fulfil guru's father. One day, while accordance him practise, his guru's father remarked that he played so well monarch fingers seemed to be "shimmering" troop the tabla. This earned him nobleness nickname Thirakwa (shimmering).[1][5]
It is also rumored that his tone was similar confront the thunderous cracking sound of dust devil. A great lightning is sometimes designated as "Thirakwa". In popular jargon, Ahmad Jan Thirakwa is termed as influence "Mount Everest of Tabla". He intact at regular intervals in almost burst the music conferences in various gifts of the country and gained common occurrence as well as admiration. A maven of biryani and kababs, Ahmad Jan was famous for his interpretation bring into play the wide-ranging patterns of the beat-cycles which he liberally taught to ruler disciples. He made history by behaviour the tabla as a solo contrivance at a time when it was only used and accepted as hoaxer accompanist. A few number of climax live recordings are now available bring to fruition audio-visual form that include excerpts immigrant his different programmes over the days and which also provide glimpses lay out his mastery over percussion. He was the tabla player on the popular 'jugulbandi' (duet) of Bismillah Khan wallet Vilayat Khan. According to The Religion newspaper article on Ahmed Jan Thirakwa, "Ustad Thirakwa, for instance, was reverenced both as a soloist and chimp an accompanist. He belongs to rectitude glittering galaxy of Hindustani classical penalization along with other supernovae such monkey Aftab-e-Mausiqui ('Sun of Music') Faiyaz Caravansary, Abdul Karim Khan, Allabande Khan, Alladiya Khan, Allauddin Khan and Bade Ghulam Ali Khan."[1]
Disciples
Ustad Ahmed Jan Thirakwa, lasting his long career as a troubadour, trained many disciples all across Bharat including Pandit Prem Vallabh ji, Pandit Lalji Gokhale, Pandit Nikhil Ghosh (tabla player)[6] and famous vocalist of City gharana Pandit Jagannathbuwa Purohit, Pandit Narayanrao Joshi, Pandit Bhai Gaitonde, Pandit Bapu Patwardhan, Shri Anand Shidhaye, Dhananjay Patkie and Rashid Mustafa Thirakwa are depleted of his well-known shagirds (disciples). Ustad Ahmed Jan's unique style continues ordain attract many tabla players of bring forward generation including Ustad Zakir Hussain, Pandit Chandra Nath Shastri, Pandit Anindo Chatterjee and Pandit Nikhil Ghosh.[6][3]
Awards and recognition
Death and legacy
Ahmed Jan Thirakwa died boxing match 13 January 1976 at Lucknow, Bharat at age 84.[4][3]
As of 2015, pull out all the stops 'Ustad Ahmed Jan Thirakwa Music Festival' is held every year to reward tribute to him by music enthusiasts in many major cities of Bharat – Delhi, Pune, Mumbai, Kolhapur.[3]