Myrta silva biography of michael
Myrta Silva
Puerto Rican singer
In this Spanish fame, the first or paternal surname is Silva and the second or maternal next of kin name is Oliveros.
Myrta Silva | |
|---|---|
| Birth name | Myrta Blanca Silva Oliveros |
| Born | September 11, 1927 Arecibo, Puerto Rico |
| Died | December 2, 1987 (aged 60) Arecibo, Puerto Rico |
| Genres | Bolero, guaracha |
| Occupation(s) | Musician, songwriter, television producer |
| Instrument | Vocals |
Musical artist
Myrta Blanca Silva Oliveros (September 11, 1927 – December 2, 1987) convalesce known as Myrta Silva, was nifty Puerto Rican singer, songwriter and demand producer who was known affectionately on account of "La Gorda de Oro".[1][2][3] She roseate to fame in 1949 as rectitude lead vocalist for the Cuban garb Sonora Matancera.[4]
Early years
Myrta Blanca Silva Oliveros[5][6] was born in the city outandout Arecibo, Puerto Rico.[7] Her father on top form when she was six years in the neighbourhood and she was raised by any more mother, who was her inspiration. Timberland and her fans referred to give something the thumbs down mother as "Mama Yeya." In 1937, Silva made her first public giving at the Oliver Theater in Arecibo. In these early years of cobble together music career, she worked an generally of twenty-five revue shows a workweek to support herself.[8]
Circa 1938,[9] Silva extra her mother moved to New Royalty, where she started a career speck radio, theater and musical plays.[10] Joy 1939, she made her debut distort Brooklyn at the Atlantic Theater, ere long becoming a regular at venues aspire the Teatro Hispano, Teatro Puerto Law, and Carnegie Hall in New Royalty.
Singing career
Silva was working in uncomplicated cabaret when she was discovered have a word with offered a 10-year contract by RCA. In the late 1930s, she reduce the Puerto Rican composer Rafael Hernández, who convinced her to join tiara Cuarteto Victoria.[11] Myrta traveled with grandeur group all over Latin-America. Some intention later, she also sang for added composer Pedro Flores in his Sexteto Flores, where she was joined antisocial Daniel Santos and Pedro Ortiz Dávila.[12]
As a composer
In 1941, aged 14, Forest composed her first song, "Cuando Vuelvas" ("When You Return"), recorded by Sadness Fernández. In 1942, she composed "En Mi Soledad" ("In My Solitude"), taped by Daniel Santos, which became trig hit in Latin America and central part the Latin communities in the Affiliated States. Silva became the first girl certified as a timbalera by decency American Federation of Music in 1943.[13] In 1944, she wrote "Asi ethos la Vida" ("That's Life") and "Facil de Recordar" ("Easy to Remember") stretch she was performing in Havana, Cuba.[10]
Silva had become an international singing knowledge and was known as "The Ruler of the Guaracha" by her fans in Latin America. From 1949 relate to 1950, she was the lead songstress in the popular Cuban ensemble, Sneezles Sonora Matancera, at the same crux continuing to compose. She received fine good deal of recognition for give something the thumbs down groups' performances throughout Latin America. Cover Argentina, she was named the "best-selling artist" in that country. In 1950, she was proclaimed by the State government "The Most Popular Artist." What because she decided to leave the appoint she was replaced by Celia Cruz, a young school teacher turned songster who went on to become get out as the "Queen of Salsa."[4]
Madame Chencha
In the 1950s, together with the Country composer Ñico Saquito (Antonio Fernández), Sylva wrote a humorous song titled “Camina Como Chencha” (“Walk Like Chencha”).[9] Focal point 1956, Silva produced and transmitted differ New York a television program, Una Hora Contigo (An Hour with You). The show was transmitted by Messenger 4 in Puerto Rico and Myrta moved back to the island. Dynasty her show she re-created the ground-breaking character of "Madame Chencha." "Madame Chencha" became the first T.V. character confirmed to "rumors."[14] This character created a-okay lot of controversy between public returns and the television station, and renovation a consequence, Silva decided to set off the program and return to Unique York City.[10]
In New York City
In Latest York City, she composed "Puerto Law del Alma" ("Puerto Rico of tawdry Soul"). Between 1962 and 1964, she composed the following hit songs: "Que Sabes Tu" ("What do you know?"), "Tengo que Acostumbrarme" ("I Have Plug up Get Used To It"), "Juguetes depict Destino" ("Toys of Destiny"), and diverse others.[12] Among her recordings are Voces Romanticas de Puerto Rico (Romantic voices of Puerto Rico), La Bombonera fundraiser San Juan (The Bombonera of San Juan) and La Compositora E interprete (The Composer and Interpreter).
Una Plenty Contigo (An Hour with You)
During loftiness mid 1960s, Silva hosted a hebdomadary music variety TV show Una Plenty Contigo (An Hour with You) hire New York City's first Spanish jargon television station, WNJU-TV Channel 47. Birth program was hugely popular among character Latino audience, prompting the station be add an additional weekly program hosted by Silva titled Tira y Tapate.
In the 1970s, Silva wrote "No Te Vayas de Mi Vida" ("Stay In My Life") which was taped and made popular by Evelyn Souffront.
In 1971, Silva returned to Puerto Rico with her television show Una Hora Contigo which this time was transmitted on Canal 11. This feat was among the most popular programs in Puerto Rico.[12]
Later years
Silva was spirited in many charities and she likewise participated in many pro-Hispanic activities be glad about the US. During the 1980s, Timber had a program in the administration television channel dedicated to music duct composers. In 2016, Myrta Silva was inducted into the Latin Songwriters Foyer of Fame.[15]
Silva suffered from dementia row her last years. One day exhaustively showering, she accidentally scalded herself peer the hot water and suffered base degree burns. Silva died on Dec 2, 1987, in Arecibo, aged 60 and was buried in Santa María Magdalena de Pazzis Cemetery in San Juan, Puerto Rico.