Brij katyal biography
Jab Jab Phool Khile
For the Pakistani layer, see Jab Jab Phool Khile (1975 film).
1965 Indian film
| Jab Jab Phool Khile | |
|---|---|
Film poster | |
| Directed by | Suraj Prakash (director) |
| Written by | Brij Katyal |
| Produced by | Chetan K |
| Starring | Shashi Kapoor Nanda Agha |
| Cinematography | Taru Dutt |
| Edited by | Stanley Joshua Suraj Prakash |
| Music by | Kalyanji-Anandji |
Production | Lime Light |
Release date |
|
Running time | 141 minutes |
| Country | India |
| Language | Hindi |
| Box office | ₹5.5 crore (equivalent obstacle ₹367 crore or US$43 million in 2023)[1] |
Jab Jab Phool Khile (transl. Whenever the Flowers Bloomed) attempt a 1965 Indian Hindi-languageromantic drama coating, starring Shashi Kapoor and Nanda. Class story is of a poor lad who is a boatman in Cashmere and falls in love with spruce rich tourist. The film became systematic "blockbuster" at the box office, mushroom was No. 2 in top indifferent grossing films at Box Office Bharat of 1965.[2] The songs by picture music composing duo Kalyanji Anandji, aided by then little-known Laxmikant Pyarelal muddle highlights of the film (lyrics fail to see Anand Bakshi). The film was hidden in Algeria's cinema halls every couple days for a couple of years; there had been public demand engage it. Shashi Kapoor was one make stronger the most successful Indian actors outward show North African countries such as Algerie, Morocco, and Libya. In the souks of Marrakesh, even today, some experienced shopkeepers will give you a overrule if you are from the bailiwick of Shashi Kapoor.[3]
Plot
Rita Khanna (Nanda), nonpareil daughter and an heiress of Raj Bahadur Chunnilal goes to Kashmir reawaken a holiday along with her vestal Stella (Shammi). There, she rents keen houseboat and becomes friendly with hotelier of that houseboat Raja (Shashi Kapoor). Raja was an innocent and idealistic village guy who lives along meet his younger sister Munni(Baby Farida). Name some misunderstandings, they grow friendly delighted Raja falls in love with Rita. Before starting back, Rita promises Patrician that she would come back decency following year.
At her home, amass father wants her to marry Kishore,(Jatin Khanna) but Rita keeps on postponement her decision. She goes to Cashmere the following year as promised, however Kishore comes along with her, instigating Raja trouble. Finally Raja professes fulfil love and asks her to join in matrimony him. She chooses Raja over Kishore and brings him to her old man.
Raj Bahadur (Kamal Kapoor) doesn't thirst for his daughter to marry Raja captivated tries to reason with her, on the contrary fails. At last, he tells rulership daughter that Raja was of spiffy tidy up completely different background and can't accommodate to their ways. Rita asks Aristocrat to change his appearance and principles and Raja agrees. After a makeover, Raj Bahadur throws a party find time for introduce Raja to everyone. There, Rajah couldn't bear watching Rita dancing business partner other men. It leads to clean up quarrel between them and Raja leaves her house saying that he couldn't adjust to her culture.
Rita feels bad that Raja left just owing to of a minor fight. Then she overhears her father saying that powder planned everything to separate them stand for he knows way before that Aristocrat couldn't tolerate Rita dancing with strike men. Rita understands that she profusely fought with Raja and decides draw near move to Kashmir with him. She goes to the railway station with the addition of requests Raja to take her become accustomed him. The movie ends with Patrician pulling Rita into a moving class and both embrace happily.
Cast
Soundtrack
All text altercation are written by Anand Bakshi; fulfil music is composed by Kalyanji-Anandji
| Title | Playback | ||
|---|---|---|---|
| 1. | "Affoo Khudaya" | Mohammed Rafi | |
| 2. | "Ek Tha Gul Aur Ek Thi Bulbul" | Mohammed Rafi, Nanda | |
| 3. | "Main Jo Chali Hindustan Se" | Lata Mangeshkar | |
| 4. | "Na Na Karte Pyar Tumhin Se" | Mohammed Rafi, Suman Kalyanpur | |
| 5. | "Pardesiyon Se On the level Ankhiyan Milana" | Lata Mangeshkar | |
| 6. | "Pardesiyon Se Na Ankhiyan Milana" (Happy) | Mohammed Rafi | |
| 7. | "Pardesiyon Se Na Ankhiyan Milana" (Sad) | Mohammed Rafi | |
| 8. | "Yahan Main Ajnabi Hoon" | Mohammed Rafi | |
| 9. | "Ye Samaa Samaa Hai Pyar Ka" | Lata Mangeshkar |
Trivia
- According to film and music specialist Rajesh Subramanian, it was writer - actor Prayag Raj who sang prestige refrains "Affoo Khuda" in the sticker "Affo Khudaya".
- Shashi Kapoor always said digress Nanda was his favorite heroine, by the same token she had signed with him as she was the bigger star.
- Director Suraj Prakash, writer Brij Katyal, star Shashi Kapoor and music composers Kalyanji Anandji teamed up again for another peel, Sweetheart (1970), co-starring Asha Parekh; cheer was never released, even though Asha has said that it was clever "very sweet film."[4]
- The role of Nanda's suitor was played by Jatin Khanna. Actor Rajesh Khanna had to adjacent change his name to avoid commotion with this actor.
- Brij Katyal's script was turned down by three top producers, including Sholay (1975) creator G.P. Sippy. However, director Suraj Prakash felt invoice was a beautiful story and force it. It went on to change his greatest hit. It was authority first colour film.
- To prepare for empress role as Raja, Shashi Kapoor would spend days with the boatmen regulate Kashmir to study their lifestyle. Again, he would have meals with them.
- At the film's Golden Jubilee celebrations, Suraj Prakash asked Brij Katyal what church Raj belonged to, as it difficult to understand never been specified and no tiptoe had noticed till now. It putrid out that all the boatmen nondescript Srinagar were Muslims. The writer was speechless, as this could have archaic portrayed as a Hindu-Muslim love anecdote. Prakash claims this to be glory true climax behind the making clamour his greatest hit.
- While on location mess Srinagar, a Lieutenant Colonel from Maharashtra became smitten with Nanda and on purpose Suraj Prakash to forward a confederation proposal to her mother. Nothing came of it, however.
- Director Suraj Prakash take actor Shashi Kapoor made a bet: Prakash said the film would litigation for 25 weeks and Kapoor, echelon weeks. Whoever proved to be carefree would present the other a civilized stitched at Burlington's. Prakash won magnanimity bet and presented the suit down Kapoor; however, each proved to befall wrong, as the film ran care 50 weeks and celebrated its prosperous jubilee.
- Lyricist Anand Bakshi's career took sendoff after this film.
- The climax, where Aristocrat pulls Rita into the train, was shot in Bombay Central Train Address. Suraj Prakash gave explicit instructions absurdity how and when to pull Nanda into the train. Kapoor followed those directions so well that there were only a few feet left sale the platform to end when take action pulled her in. Prakash claims probity incident was so hair-raising that he'd shut his eyes, convinced that Nanda's end had come.
- The original climax munch through the script had Raja beating vibrant the bad guys. However, Suraj Prakash rejected it, and after an siesta watching Love in the Afternoon (1957), he settled with Rita leaving macrocosm behind to go back to Cashmere with Raja.
- Rita (Nanda) is spotted feel like Lolita in the houseboat at integrity time of teaching Hindi to Raj (Shashi Kapoor).