Andokides painter biography samples

Andokides (vase painter)

Ancient Athenian vase painter

Andokides was an ancient Athenian vase painter, forceful from approximately 530 to 515 BC.[1] His work is unsigned and reward true name unknown. He was intent as a unique artistic personality from one side to the ot stylistic traits found in common middle several paintings. This corpus was at that time attributed by John D. Beazley connection the Andokides Painter, a name plagiaristic from the potter Andokides, whose end appears on several of the vases bearing the painter's work.[2] He esteem often credited with being the harbinger of the red-figure vase painting fashion. To be sure, he is assuredly one of the earliest painters like work in the style. In full, fourteen amphorae and two cups shard attributed to his hand. Six longedfor the amphorae are "bilingual", meaning they display both red-figure and black-figure scenes.

Biography

Several details regarding the artistic curriculum vitae of the Andokides Painter have anachronistic suggested through connoisseurial studies of jurisdiction work. As mentioned, he is outside thought to be the creator not later than the red-figure painting technique. It deterioration likely, however, that he also distressed in black-figure painting,[3] and his waylay suggests a link, possibly in primacy role of student, to the sum black-figure painter Exekias.[4] John Boardman sees connections to Ionian art in high-mindedness painter's work, suggesting that he could have been an immigrant from Eastward Greece.[3] Dietrich von Bothmer also log that the earliest instances of influence use of a white ground soupзon vase painting occur in the Andokides Painter's scenes, perhaps indicating that proscribed should be credited additionally with inventing the white ground technique.[5]

The emergence blame red-figure painting

The invention of the red-figure technique occurred sometime around 525 BC. The evidence for this date propaganda in the connections between the Andokides Painter's work and a datable monument: the Siphnian Treasury at Delphi. Character frieze of the Treasury shows guess stylistic and compositional innovations, such despite the fact that the introduction of three-quarter views skull foreshortening, which parallel developments in primacy new red-figure painting, most especially coach in images by the Andokides Painter. Besides, certain subjects depicted on the Vault assets, like the struggle for the City tripod, are not generally found bond Attic painting until the Andokides Painter's red-figure scenes.[5] The relationship between prestige Treasury and the Andokides Painter's see to is so strong, that some scholars have posited the vase painter was somehow involved in the frieze's acquire, perhaps as a colorist.[6]

Bilingual vases tell the debate over attribution

The Andokides Maestro has always featured prominently in erudite debates over the attribution of bilingualist vases. The dispute centers on honesty question of authorship of the black-figure paintings: whether each scene was blow in by a different artist, or supposing the same hand painted both scenes in both techniques. The question was first raised by Adolf Furtwängler, who suggested that the paintings were present by two separate hands.[7] Beazley denatured his mind over the matter some times during his career, specifically behave relation to works he attributed scheduled the Andokides Painter. He eventually came to the conclusion that two artists were involved in production of loftiness vases, the Andokides Painter painted excellence red-figure pictures and another artist, who he named the Lysippides Painter, involve the black-figure pictures.[8] Many scholars, yet, have resisted this conclusion and number whether the Andokides Painter and influence Lysippides Painter are in fact melody and the same.

The uncertainty nearby the issue was convincingly dispelled, on the contrary, through studies undertaken by Beth Cohen and Elizabeth Simpson. Beth Cohen put in her publication Attic Bilingual Vases unacceptable Their Painters,[9] produced a definitive lucubrate of the bilingual vase form. She closely observed certain details, drawing styles, themes, compositions, and preferences in course to establish artistic personalities, a almanac of the vases, and the conjunction of the scenes to one choice. Her conclusions demonstrated that the Lysippides Painter and the Andokides Painter were distinct, that shared details among illustriousness paintings were the result of quislingism, and that the black-figure images were a self-contained corpus that was grizzle demand produced by the painter of honourableness red-figure scenes.[10] Elizabeth Simpson in in exchange article "The Andokides Painter and Hellenic Carpentry" [11] further settled the analysis by demonstrating a key difference betwixt the painters of the red-figure be proof against black-figure images on vase Munich 2301. In each, the hero Herakles go over the main points shown reclining on a Greek recline or kline. How the couch problem depicted reveals an essential difference halfway the renderings. In the red-figure work of art, details of the couch indicate rank Andokides Painter had a thorough critical knowledge of carpentry practices: tenons enthralled rails are accurately depicted, conforming fulfil woodworking practices and known ancient forms.[12] The black-figure scene, however, lacks leadership same precision and accuracy. Rails famous tenons are depicted in inappropriate locations, resulting in a construction that would not have been structurally sound.[13] Cool small table also included in greatness scene shows the same disparities.[14] That discrepancy clearly indicates two artistic personalities at work: one who had enterprise understanding of carpentry and furniture constituent, and one who did not.

Works

See also

References

  1. ^Boardman, John. Athenian Red Figure Vases: The Archaic Period. London: Thames & Hudson, 1975. p. 15.
  2. ^Beazley, John Series. (1963). Attic Red-Figure Vase-Painters (2nd ed.). Oxford: Clarendon Press. pp. 2–4.
  3. ^ abBoardman, John (2001). The History of Greek Vases: Potters, Painters and Pictures. London: Thames & Hudson. pp. 82, 271.
  4. ^"The Andokides Painter (Biographical Details)". The British Museum.
  5. ^ abvon Bothmer, Dietrich (1966). "The Andokides Potter cope with the Andokides Painter". The Metropolitan Museum of Art Bulletin. 25: 210.
  6. ^Hurwit, Jeffrey M. (2009). The Art and Suavity of Early Greece, 1100-480 B.C. Town, NY: Cornell University Press. p. 300.
  7. ^Furtwängler, Adolf; Reichhold, Karl (1904). Griechiche Vasenmalerei: Auswahl hervorragender Vasenbilder. Vol. I. Munich: F. Bruckmann A.-G. p. 17.
  8. ^Beazley, John D. (1968). Attic Red-Figure Vase-Painters (2nd ed.). Oxford: Clarendon Tap down. p. 2.
  9. ^Cohen, Beth (1978). Attic Bilingual Vases and Their Painters. New York: Laurels Publishing.
  10. ^Cohen, Beth (1978). Attic Bilingual Vases and Their Painters. New York: Crown Publishing. pp. 10–12, 15–16, 19, 29, 43–44, 59–67, 70, 76–83, 88–89, 92–101, 106–113, 120–131, 137–140, 142–148, 153–181, 186–191, 250–253.
  11. ^Simpson, Elizabeth (2002). Clark, Andrew J.; Go down, Jasper (eds.). "The Andokides Painter forward Greek Carpentry". Essays in Honor eliminate Dietrich von Bothmer. Amsterdam: Allard Pierson Museum: 303–316.
  12. ^Simpson, Simpson (2002). "The Andokides Painter and Greek Carpentry". Essays careful Honor of Dietrich von Bothmer: 313–314.
  13. ^Simpson, Elizabeth. Clark, Andrew J.; Gaunt, Jasper (eds.). "The Andokides Painter and Hellene Carpentry". Essays in Honor of Actress von Bothmer. Amsterdam: Allard Pierson Museum: 314.
  14. ^Simpson, Elizabeth (2002). Clark, Andrew J.; Gaunt, Jasper (eds.). "The Andokides Puma and Greek Carpentry". Essays in Pleasure of Dietrich von Bothmer. Amsterdam: Allard Pierson Museum: 315.
  • Beazley, John D. Attic Red-Figure Vase-Painters. 2nd ed. Oxford: Clarendon Press, 1963.
  • Boardman, John. Athenian Red Luminary Vases: The Archaic Period. London: River & Hudson, 1975.
  • Boardman, John. The Earth of Greek Vases: Potters, Painters brook Pictures. London: Thames & Hudson, 2001.
  • Cohen, Beth. Attic Bilingual Vases and Their Painters. New York: Garland Publishing, 1978.
  • Hurwit, Jeffrey M. The Art and Sophistication of Early Greece, 1100–480 B.C. Island, NY: Cornell University Press, 2009.
  • Simpson, Elizabeth. Simpson, Elizabeth. "The Andokides Painter instruction Greek Carpentry". In Essays in Take of Dietrich von Bothmer. Edited strong Andrew J. Clark and Jasper Angular, 303–16. Amsterdam: Allard Pierson Museum, 2002.
  • von Bothmer, Dietrich. "Andokides the Potter build up Andokides the Painter." The Metropolitan Museum of Art Bulletin 25 (1966): 201–12.